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Home / CELEBRITIES / HRH PRINCESS MICHAEL was the honored guest at exhibition of portrait artist JUAN BASTOS just off the famed Sunset Strip.
HRH PRINCESS MICHAEL was the honored guest at exhibition of portrait artist JUAN BASTOS just off the famed Sunset Strip.

HRH PRINCESS MICHAEL was the honored guest at exhibition of portrait artist JUAN BASTOS just off the famed Sunset Strip.

Looking very chic, HRH Princess Michael of Kent recently attended the opening exhibition of Juan Bastos: California Portraits at the Pacific Design Center in West Hollywood.

  • The rich exhibition of 40 portraits of prominent Californians painted by Bastos, the Bolivian-American artist, a longtime resident of Los Angeles. The exhibit was part of Pacific Standard Time: LA/LA (Latin American & Latino Art in LA.)

 

HRH Princess Michzel, Juan Bastos

HRH Princess Michael with Juan Bastos and guests at the opening luncheon.

  • A private luncheon, with Princess Michael as a guest of honor, was hosted by gallerist Stuart Denenberg.

Juan Bastos with guests at the luncheon.

  • Several of Bastos’s ‘sitters’ — many clad in the very-same clothing worn on canvas attended.
  • Bastos’s x-ray vision, the gift of any superb portraitist, captures details of outer appearance brought alive by each subjects’ unique inner essence.
HRH Princess Michael, Juan Bastos

HRH Princess Michael touring the opening with Juan Bastos.

An uncanny artist of the four-legged set, Bastos toured the gallery with a true animal lover, Princess Michael of Kent, visiting from London. HRH admired the portraits art collectors, families with children, dogs, and even a rabbit.

Guests at Juan’s exhibition. Including views of the gallery and recent portrait of a young man.

Those in attendance along with Princess Michael and her lady-in-waiting Lyn Rothman were the Honorable Consul General of Bolivia Marco Valverde, actress Carla Ortiz, actor Renaldo Pacheco, Holly Palance, and Prince Veriand Windisch-Graetz.

Guests at the luncheon and opening.

Guests with portraits in the show were: Audrey Bahr, Maryl Georgi, Nehama Jacobs, Synne Miller, Baloo, Lawrence Platt, Valerie Sobel, Carol Shapiro, and Hutton and Ruth Wilkinson.

JUAN FERNANDO BASTOS

Juan Bastos, HRM Princess Michael

Juan Bastos at the gallery.

Juan Fernando Bastos (Caracas, 1958) is a portrait artist whose transit through Venezuela, Bolivia, Washington, Baltimore and finally Los Angeles has nourished a one of a kind aesthetic in visual representation. His work has reached different latitudes and represents the success of transcultural phenomena. He’s considered one of the most in-demand portrait artists in the world.

Juan Bastos with Britain’s Princess Michael of Kent at a recent exhibition of Juan’s paintings in Los Angeles.

  • Juan considers some of his most important works the portrait of Gore Vidal – novelist, essayist, playwright, screenwriter and provocateur whose career has spanned six decades. He was the half-brother of Jacqueline Kennedy Onassis and candidate for the Nobel Prize in Literature. Juan formed a close relationship with Vidal during the writer’s final years living in the Hollywood Hills.
Juan Bastos, Princess Michael of Kent, Tennessee Williams, Gore Vidal, Portraits, Los Angeles

(Left) Portraits of Gore Vidal and Tennessee Williams by Juan.. (Right) Vidal is seen at home and Williams is seen aboard the SS France with Andy Warhol.

  • Bastos also has portrayed such diverse personalities like the Baroness De Lassus in the Chateau de Valmirande (France) – a castle that contains more than 3 of his works, and the President of Bolivia, Gonzalo Sánchez de Lozada and his wife Ximena Iturralde (Bastos’ mother’s cousin).
Clockwise: Charlize Theron, Mikhail Baryshnikov, Susan Sontag and Marlon Brando.

Clockwise: Portraits of Charlize Theron, Mikhail Baryshnikov, Susan Sontag and Marlon Brando.

  • Juan worked with the late Patricia Morison, who starred on Broadway in Cole Porter’s Kiss Me, Kate in 1948, and created her portrait when she was 99.

Eugenio López Alonso, the sole heir to the Jumex fruit-juice fortune, is known as an arts patron whose foundation underwrites contemporary art exhibitions in Mexico, courses in Latin American art at U.S. colleges and art schools, and programs at U.S. museums focusing on Latin American art.

  • Considering his subjects to be timeless, Bastos represents his sitters with the typical Latino American melancholy that overrules any chronological exactness.

Portraits of Broadway star Patricia Morrison and artist Don Bacardy.

“Being a painter is like playing God in a subtle way; to be a magician, to create the illusion of life on a two-dimensional surface”. Bastos mediates the debate between photographic immediacy and pictorial representation, arguing that he can capture the soul of his subjects in a personal and unique way. “The turning point was when I saw my own portraits when I was a kid. I started drawing my relatives, and even though the results weren’t good, I captured something extra from the beginning.”

Clockwise: Images of Juan Bastos. Including TV interviews in South America and a recent magazine feature.

  • Bastos believes that his aesthetics are nourished by the contrast between Venezuela’s tropical colors and warmth, and Bolivia’s aridity and coldness. “I am Latino American, I’m influenced by indigenous culture and catholic structure; the drama of Bolivia’s colors and the identity of my Venezuelan youth.”

Juan’s love of animals is seen in these wonderful portraits of a cat, bunny and a dog.

California families and group portraits by Juan Bastos.

  • “I grew up to discover that my roots are not one-sided, my family is bicultural and I became a different kind of young boy. I played the piano; I went to the movies 6 days a week and I was interested in everything that was happening in the world. I read Hesse and Mann when I was in Bolivia, but I only read Amor en Los Tiempos del Cólera when I moved to Washington” and that’s how the eclecticism of the Latino American diaspora is made.” Juan shared.

 

Please visit Juan’s excellent website by clicking here.

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