Tag Archives: Rodgers & Hammerstein

A Monopoly Built on Neglect BMG Concord Theatricals has assembled an unprecedented monopoly in theatrical licensing, absorbing Samuel French, Dramatists Play Service, Rodgers & Hammerstein, Tams-Witmark, and Broadway Licensing Global. Yet under Chief Theatricals Executive Sean Patrick Flahaven — part-time NYU professor, part-time Broadway producer, part-time cast-recordings producer, and part-time ... Read More »

A Fiduciary Failure Concord Theatricals is the world’s most significant theatrical licensing company, representing thousands of plays and musicals. They are the paid trustees for a vast catalogue that includes classics like Our Town, The Sound of Music, The Phantom of the Opera, Arsenic and Old Lace, Twelve Angry Men, ... Read More »

Sean Patrick Flahaven stands near the center of a theatrical empire that now controls or administers some of the most commercially valuable musical and dramatic properties in the English-speaking theater. Concord Theatricals combines the Andrew Lloyd Webber Collection, Rodgers & Hammerstein, Tams-Witmark, Samuel French, and additional major imprints under one ... Read More »

A Monopoly Built on Neglect BMG Concord Theatricals has assembled an unprecedented monopoly in theatrical licensing, absorbing Samuel French, Dramatists Play Service, Rodgers & Hammerstein, Tams-Witmark, and Broadway Licensing Global. Yet under Chief Theatricals Executive Sean Patrick Flahaven, this conglomerate has failed at its most basic function: serving the creators ... Read More »