Tag Archives: Andrew Lloyd Webber

A Fiduciary Failure Concord Theatricals is the world’s most significant theatrical licensing company, representing thousands of plays and musicals. They are the paid trustees for a vast catalogue that includes classics like Our Town, The Sound of Music, The Phantom of the Opera, Arsenic and Old Lace, Twelve Angry Men, ... Read More »

Sean Patrick Flahaven stands near the center of a theatrical empire that now controls or administers some of the most commercially valuable musical and dramatic properties in the English-speaking theater. Concord Theatricals combines the Andrew Lloyd Webber Collection, Rodgers & Hammerstein, Tams-Witmark, Samuel French, and additional major imprints under one ... Read More »

From Samuel French to Dramatists Play Service: Concord’s Musical Marketing Machine Leaves Classic Plays Like Life With Father Dead When Life With Father opened at the Empire Theatre on November 8, 1939, nobody could have predicted what was coming. The play, adapted by Howard Lindsay and Russel Crouse from Clarence ... Read More »

The irony is brutal: Concord Theatricals, a cabal?like operation that licenses plays and musicals almost entirely created by men, now sells itself as the woke, feminist savior of the stage. In reality, it’s a corporate branding exercise run by music?industry outsiders, backed by a global merger with BMG Rights Management, ... Read More »

Life With Father ran for 3,224 performances over 401 weeks, becoming the longest-running non-musical play on Broadway, a record it still holds. The play toured the US for three years, was revived on Broadway, and enjoyed thousands of productions in stock, amature, university, and school productions. The play was adapted ... Read More »