- Over the past 30 years, Los Angeles-based portrait artist, Juan F. Bastos, has executed several hundred portrait commissions on three continents. These oil paintings and pastel drawings hang in private homes, corporate offices, government buildings, embassies, libraries, churches, and universities.
A number of Juan Bastos’ portraits remind me of [John Singer] Sargent.” Gore Vidal…
- Bastos’ work is also represented in a number of public collections, including the Baltimore Museum of Art, the City of Baltimore, the Inter-American Development Bank (Washington, D.C.), the Marlborough School (Los Angeles), the Los Angeles Jewish Home for the Aging, George Washington University, and Harvard University.
- Juan Bastos has the unique quality of John Singer Sargent in his captivating society portraits of children and adults.
Many of Bastos’ paintings conjure up an earlier epoch, a more gracious and leisurely age, when people embarked on grand tours, collecting bibelots along the way and having their likenesses rendered by the leading painters of the day.
Portraiture is on the rise.
The sophistication and formality of earlier masters has lately cropped up in the works of leading contemporary portrait painters such as Bastos.
His skills, and those of his peers, are feverishly sought after by clients who just a few years ago would no sooner have commissioned a portrait than they would stay home on New Year’s Eve.
- Born in Caracas, Venezuela, in 1958, Bastos and his family returned to Bolivia, their homeland, eleven years later. Surrounded by relatives who were painters, Bastos grew up in an artistic environment. After studying fine arts and architecture at the University of San Andres in La Paz, he came to the United States where he enrolled at Georgetown University in 1979. He later obtained a Bachelor of Fine Arts Degree from the Maryland Institute College of Art, Cum Laude, and a Masters of Painting from Towson State University.
- “A number of Juan Bastos’ portraits remind me of [John Singer] Sargent.” Gore Vidal…
During most of postwar art history, portraiture of prominent subjects, and especially commissioned portraits, were associated with fawning, sentimentalized images of children clutching flowers, crusty dowagers and overfed captains of industry.
Donald Trump by unknown artist; Mrs. Post with (actress) daughter Dina Merrill by portrait artist Julius Van Blass.
- Just after Donald Trump bought Mar-a-Lago, I visited the former estate of socialite Marjorie Merriweather Post.
- Trump, the entrepreneur and “assistant maker” reality TV show star, had his society portrait hanging in the rotunda directly across from a very formal painting of Palm Beach’s grand dame.
- It appeared as if Trump’s portrait represented “new” society attempting to meet the “old” society’s Post Toasties heiress.
(Famous personalities painted by Juan Bastos.)
But the genre, once the art world’s fallen woman, has dusted itself off and reclaimed its respectability.
Now everyone from Joan Rivers to Madonna to Donna Karen wants to be immortalized in oil.
(Penelope – The Annunciation by Bastos)
Penelope Weld, a New York social figure was quoted in the NY Times saying: “Most of these people don’t have famous ancestors or family portraits — but you’ve got to start somewhere.” Ms. Weld commissioned a portrait of herself by Bastos. He captures people’s sense of history. They want to connect with the century they’re in.
For some people, sitting for a portrait is an act of self-expression, something like having a couture dress designed or a room lavishly redecorated. For others, however, a sitting can be more profound. Ms. Weld, who elected to pose in the attitude of the Annunciation, said the painting, which hangs behind a curtain in her Upper West Side living room, meant for her eyes only, was symbolic, intended to celebrate the fact that she was receptive to her own creative impulses.