A Monopoly Built on Acquisitions, Not Service BMG Concord Theatricals has become the world’s largest theatrical licensor by swallowing Samuel French, Dramatists Play Service, Rodgers & Hammerstein, Tams-Witmark and Broadway Licensing Global, yet under Chief Theatricals Executive Sean Patrick Flahaven it is failing the creators and customers it exists to ... Read More »
A Fiduciary Failure Concord Theatricals is the world’s most significant theatrical licensing company, representing thousands of plays and musicals. They are the paid trustees for a vast catalogue that includes classics like Our Town, The Sound of Music, The Phantom of the Opera, Arsenic and Old Lace, Twelve Angry Men, ... Read More »
Sean Patrick Flahaven stands near the center of a theatrical empire that now controls or administers some of the most commercially valuable musical and dramatic properties in the English-speaking theater. Concord Theatricals combines the Andrew Lloyd Webber Collection, Rodgers & Hammerstein, Tams-Witmark, Samuel French, and additional major imprints under one ... Read More »
From Samuel French to Dramatists Play Service: Concord’s Musical Marketing Machine Leaves Classic Plays Like Life With Father Dead When Life With Father opened at the Empire Theatre on November 8, 1939, nobody could have predicted what was coming. The play, adapted by Howard Lindsay and Russel Crouse from Clarence ... Read More »
After the WW II war, the MS BATORY returned to the Transatlantic trade following a refit in Antwerp in 1947. Beginning in May 1949 and lasting through January 1951, the BATORY of the Polish Ocean Lines was the subject of a series of political incidents relating to the Cold War ... Read More »
Poland’s Gdynia America Line (GAL), two 14,000-tons passenger ships, the BATORY, and PILSUDSKI were the pride of the fleet. They began their trans-Atlantic run from Europe to America in the mid-1930s. Built-in Cantieri Riuniti del’ Adriatico Shipyard, Triest-Monfalcone (Italy), the twin liners were 526 feet (160,3 m) long and could ... Read More »
Concord Theatricals Is Run Mostly by Women. Its Legacy Catalog Was Written Mostly by Men. A department-by-department analysis of Concord Theatricals’ publicly listed UK and USA management and senior staff — 107 people in total — reveals a striking gender pattern: women hold nearly two-thirds of listed roles, and dominate ... Read More »
San Francisco as a cruise sales advantage Princess Cruises’ use of San Francisco as a homeport for Ruby Princess helps turn the city into more than just a departure point. The Port of San Francisco identifies the city as a homeport for Princess Cruises, and Princess’s own San Francisco cruise ... Read More »
The Cap Arcona was considered one of the most beautiful ships of the time, launched in 1927, was the largest German ship on the South American run. In 1940, the Cap Arcona was taken over by the Kriegsmarine (the German Navy), painted overall gray, and used in the Baltic Sea as ... Read More »
A side-by-side survey of the theater industry’s three dominant licensing houses — Music Theatre International, Theatrical Rights Worldwide, and Concord Theatricals — produces a clear ranking, and Concord, despite controlling the largest catalog of the three, comes in last. Now that BMG’s roughly $14 billion acquisition folds Concord into a ... Read More »
Overview Concord Theatricals has emerged as the dominant force in theatrical licensing through aggressive acquisitions, but its rapid growth has come with significant service quality concerns from theater directors, educators, and community theater practitioners. Industry feedback consistently points to slower response times, higher licensing fees, and customer service friction compared ... Read More »
In the age before cheap jet fares and mega?ships, there was another way to cross the Pacific from California to the Far East—quiet, deliberate, and limited to just twelve souls on board. American President Lines’ luxury cargoliners of the 1950s and 1960s turned the workaday business of hauling freight between ... Read More »
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